1. The Artistic Aesthesia Elements in The Book of Changes——from "watching for images" to "perceiving about affections" 论《周易》中蕴涵的艺术知觉元素——从“观物取象”到“感物道情”考察。
2. The result shows that the better classify performance of tongue-color is in aesthesia color-space, apperceive color-space and 2D chrominance planes include luminance. 结果表明，在知觉颜色空间、感知均匀空间内和包含亮度信息的2维色度平面上提取舌色特征对于舌色分类具有较好的分类性能。
3. Ingarden brings forward that literature works is a "pure intent object" when he reviews the existing manner of literature works, while Dufrenne regards the taste object as a "pure aesthesia object". 茵加登在考察文学作品的存在方式时，明确提出文学作品是一个“纯粹意向性对象”，杜夫海纳则把审美对象看作是一个“纯粹知觉对象”。
